• A ditto, ditto device


    JOSEPHINE  KAEPPELIN

    A ditto, ditto device - Groupe Show
    Angewandte Innovation Laboratory
    Franz Josefs Kai 3
    1010 Vienne (AT)


    8.12.2017 - 17.01.2018

    A ditto, ditto device. is the second in a three-part series of experimentally designed exhibition formats. The show at the Angewandte Innovation Laboratory traces the act of copying as an omnipresent yet often invisible artistic practice at the intersection of the digital realm and analog world. As part of the arts-based research project originalcopy—Post-Digital Strategies of Appropriation, the exhibition A ditto, ditto device. serves as a test setting and working model for a re-evaluation of the dichotomy of original and copy from a post-digital perspective. The research focuses on the tensions between the immateriality of digital technologies and their material manifestations in physical space. A main question is how post-digital copying techniques can be made productive in the artistic realm while investigating the very same techniques in a self-reflexive loop with the means of fine art. Is it possible to develop a methodology of contemporary copying practices with a copying process that always remains aware of itself? And how can such a loop of thought reveal knowledge about the simultaneous omnipresence and invisibility of the phenomenon of the copy, which has deep historical, cultural, and technological roots in society?


    Opening: December 7, 2017, 7:00 pm

    With performative displays by Joséphine Kaeppelin and Stefan Riebel

     

    More info : Here


  • Balak #7

    Exposition de livres et éditions d'artistes, sur une invitation du Musée Arthur Rimbaud.


    JOSEPHINE  KAEPPELIN

    Balak #7
    Espace temporaire d'art contemporain

    Maison des Ailleurs
    7, quai Arthur Rimbaud
    Charleville-Mézières

    25.11.2017 - 18.02.2018
    Balak est un espace temporaire d’art contemporain non sédentaire fondé par l’artiste ardennais Mehryl Levisse, ouvrant les portes d’une exposition une à deux fois par an. Chaque édition redéfinie les paramètres et enjeux du projet., repousse les limites, utilise les contraintes et adapte sa thématique en fonction de l’espace investit. En s’installant toujours dans un lieu différent et non  destiné à l’art, c’ets comme par une page blanche que débute toute nouvelle exposition, faisant table rase des contraintes et des impossibles de l’édition précédente.

    Balak est né d’un constat, celui d’un manque de structures dédiées à l’art contemporain dans la région Champagne-Ardenne. Balak est né d’une nécessité, celle de palier à l’absence totale d’une programmation arts-plastiques dans la ville de Charleville-Mézières.

    Pour sa septieme édition la programmation aura lieu dans Maison des Ailleurs (maison où à vécu le poète Arthur Rimbaud), à Charleville-Mézières, Champagne-Ardenne / France et présentera parmi les exposants deux des artistes de la Galerie Eva Meyer, Nicolas Boulard et Josephine Kaeppellin.

     

    Vernissage 25 novembre 2017 à partir de 18h30
    Plus d'info => ICI

  • Artissima


    JOSEPHINE  KAEPPELIN

    Artissima 2017
    Oval Lingotto Fiere
    Via Giacomo Mattè Trucco 70
    ,
    10126 Torino


    03.11 - 05.11.2017

    The gallery is attending the Artissima 2017 in Torino from the 3rd november to the 5th november 2017 with works from Joséphine Kaeppelin.
    Join us at Booth Pink A 23.

    Artissima is Italy?s most important contemporary art fair. Since its establishment in 1994, it has combined the presence of an international market with a focus on experimentation and research.

    Nearly two hundred galleries from around the world participate every year. In addition to the fair, Artissima is also composed of three art sections, headed by a board of international curators and museum directors, devoted to emerging artists, performances and rediscovering the great pioneers of contemporary art.

    Artissima 2017 will be held in Torino from 3 to 5 November at the Oval, a glass pavilion built for the 2006 Winter Olympic Games in the industrial archaeology complex of the Lingotto.

    It is curated by Artissima Srl, a company connected with the Fondazione Torino Musei.

    More informations => HERE